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Latest Maha Shivaratri Updates from Prasanthi Nilayam 2012


Maha Shivarathri Celebrations Photos & Reports from Sai Baba's Ashram - Prasanthi Nilayam, Puttparthi-India


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Text & photo source - copyrights: Sri Sathya Sai Sadhana Trust -  -  Prasanthi Diary -  | Web layout - Photo graphic design :  "SBOI" | - We gratefully acknowledge the publishers Sri Sathya Sai Sadhana Trust &  Sri Sathya Sai Media Foundation


Maha Shivarathri  in Prasanthi Nilayam


Night-long Vigil ends…


Night-long Shivarathri Vigil with Akhanda Bhajan ended this morning at 0605 hrs. with the offering of Mangala Arathi. There was a good turn out of devotees  during the entire night as Sai Kulwant turned vibrant with enthusiastic students joined by many other groups led the bhajans half-an-hour apiece.

 The final bhajan, a recorded piece of Beloved Bhagawan, “Subramaniam Subramaniam…” brought nostalgic memories of His physical presence, when He would often sing Divine Melodies at the end of His Divine discourses.

Tamarind Rice and sweet pudding were served as sanctified prasadam at the end of the session.


II Samasta Lokah Sukhino Bhavantu II


Maha Shivarathri in Prasanthi Nilayam… Evening  -          Morning update

Lingabhishekam and Akhanda Bhajan…

On this Shivarathri day Prasanthi witnessed auspicious “Lingabhishekam” to the sanctified Sayeeswara Lingam in the Sanctum Sanctorum in Sai Kulwant Hall prior to the commencement of Akhanda Bhajan, this evening. The proceedings began at 1610 hrs.

with a procession carrying the “Sayeeswara Lingam” to the venue in Sai Kulwant Hall. Mounted on an elevated platform the Lingam that was sanctified during the Ati Rudra Maha Yajna in 2006 in the immediate Divine Presence of Bhagawan was the centre of attraction for the evening.



Ritualisistic proceedings and Abhishekan began soon that lasted an hour and half. Sri Sathya Sai Sahasra Namavali chanting followed before Mangala Arathi offering to the Lingam.

The entire proceedings was conducted by Prof. Nanjunda Dixit who officiated the Ati Rudra Maha Yajnam in 2006. The Lingabhishekam is aimed at Universal Peace and Global Harmony.



Divine discourse exhorting the esoteric significance of the auspicious night was played for the next fifteen minutes before the commencement of the Akhanda Bhajan. Bhagawan’s discourse ended with His favourite Bhajan, “Prema Muditha Manase Kaho…” that marked the beginning of the Akhanda Bhajan.



The night-long vigil singing His glory will continue till 0600 hrs. tomorrow morning.



II Samasta Lokah Sukhino Bhavantu II


Maha Shivarathri in Prasanthi Nilayam… Morning

Live Video Broadcast of the Celebrations of Shivarathri in Prasanthi Nilayam, that started  at 4.15 p.m. (IST) - Feb 20, 2012 is over!


Maha Shivarathri in Prasanthi Nilayam…


Commencing the day’s proceedings, University Percussion Band, both Nadaswaram and Panchavadyam, played for half-an-hour heralding the auspiciousness of the occasion, while Veda chanting continued as scheduled, till 0830 hrs.


Maha Shivarathri in Prasanthi Nilayam…


At 0830 hrs., beginning with offerings to Lord Rudra as Sai Easwara, boys began their rendition with Vishwanathashtakam followed by Lingashtakam and many other hymns that included some scintillating Carnatic pieces, lasted an hour.

 Bhajans continued for next twenty minutes and special prasadam was distributed to the entire audience. Tiny tots from the Primary School made a beeline to the Divine Lotus Feet offering handi-work of Love at their Beloved Swami. Mangala Arathi was offered at 0950 hrs.



In the evening before the commencement of the Akhanda Bhajans at the scheduled hour, at 1800 hrs., Lingabhishekam will be conducted in the Sanctum Sanctorum, sacred offering to the Linga, that commences at 1630 hrs. Prior to that the Sai Easwara Lingam, that was sanctified by the Divine Hands during the Ati Rudra Maha Yajna in the year 2006, will be brought to the venue in a procession starting from Bhajan Hall.


Initiating the night-long vigil, Akhanda Bhajan will commence at 1800 hrs. to continue till 0600 hrs. in the morning.

Shivaratri 2011 photos   -   Shivaratri 2010 photos


Text & photo source - copyrights: Sri Sathya Sai Sadhana Trust -  -  Prasanthi Diary -  | Web layout - Photo graphic design :  "SBOI" | - We gratefully acknowledge the publishers Sri Sathya Sai Sadhana Trust &  Sri Sathya Sai Media Foundation 


Shivaratri Blessings of Mahadeva  Bhagawan Sri Sathay Sai Baba
Also read:

The Great Night of Shiva - Maha Shivaratri

"I am Nataraja—the dance master, the first among dancers. You are all dance pupils. I alone know the agony of teaching you each step in the dance!"

-Bhagawan Sri Sathya Sai Baba

On Shivarathri how fortunate and deserving one would be, to be in the precincts of Prasanthi Nilayam that is blessed by the presence of Shiva himself in His physical frame! Yet, are we ready to embrace this fact. Or, will it be conceived to be a pseudo world that lures one with a temporary, so called, heaven? Well, it is not an insignificant piece of information that is to be sidelined in favour for the petty, ephemeral and mundane choices of the world. Instead, it is an awareness that one should accept and assimilate. Our being contemporaries of Sathya Sai Baba is neither a biological accident nor a mere co-incidence. It is His merciful compassion—His love for mankind. As Bhagawan has mentioned time and again, it is the good acts of many previous births that has brought us close to this divine phenomenon. So, let us reciprocate, remain vigil and be grateful...

When Bhagawan says He is Nataraja, it is not a claim, but a revelation—the highest Truth. Hence, a Shivarathri with Shiva serves as a reminder of the eternal link between human and the Divine. This is the holy occasion when the jiva remembers and adores Shiva, who is the Lord of all souls. And this has been so from the 1940’s. Bhagawan has said: “All that you find in this world, mobile and immobile, is nothing but the Cosmic Dance of Shiva. This is wonderful, blissful and beyond human comprehension…”

This foremost dance master, the ‘constructor’, who fondles and kindles ‘the constructed’, has come down in person, attracting millions and billions, making this festivity of Shivarathri a real happening, a spiritual carnival on planet earth even though the depth of this holy occasion is realised by ordinary mortals only to their degree of understanding and perception. As Dr. V.K. Gokak has said in one of the Shivarathri occasions in Prasanthi Nilayam, "We all feel one with each other under the Fatherhood of God.”

Maha Shivarathri, which means the Great Night of Shiva, falls on the Krishna Chathurdasi day which is the fourteenth day during the waning of the moon in the month of Megha, though in some years it may occur in Phalguna also.

The Legend

This festival has a unique tale that dates back to the ancient times. The legend has it that in the ancient city of Srisailam a thief with a keen desire to plunder a Shiva Temple went there with this intention and patiently waited behind the ‘Lamp of the Lingam.' Crowds came and went and the hours passed on. At last when everybody left the temple the thief was left alone but there was a cyclonic weather! An unknown fear enveloped the thief suddenly and in spite of himself being a thief, he started muttering ‘Shiva, Shiva'! This little Japa proved sufficient. In his great concentration in invoking Lord Shiva to protect him, the Lord appeared. And pleased with his devotion, Shiva liberated him!

How the festivity is celebrated?
This festivity adorns varied styles in different parts of the country. In the South it is usually celebrated as a day of fasting and worship to Lord Shiva. At night they break the fast and take food (non-cereals) that is offered to the Lord. The whole night is spent in the invocation of Lord Shiva in various ways like Akhanda Japam, Akhanda Bhajan etc. In the Malabar area of Kerala, this is celebrated more or less similarly, with slight variations, giving more importance to the fast and going through the various pujas with an elaborate evening function called the 'Sheeveli'. During Sheeveli the deity (Lord Shiva) is adorned on top of a majestic temple elephant and taken in procession along with other elephants around the Divine Abode. After this, the night would start, and people after worshipping and witnessing the ritual, would break their fast by taking the 'abhishekam'—water of tender coconut.

In Benares, the Abode of Lord Viswanatha, the festivity reaches its climax when thousands and thousands of Hindus of all shades, sects and sections throng, practically transforming the ancient city into a 'Sea of Humanity'. On this day Lord Viswanatha is practically covered with all the Bilwa leaves of India!

And in the Highest Abode of Peace, at Prasanthi Nilayam, the festivity takes a different dimension and it has all the reasons to be so. What is so charismatic that attracts millions and billions to this remote hamlet-turned-township in the southern part of India?
Those who battle their way to Prasanthi Nilayam to be in the towering presence of Bhagawan know the pulsating feeling that the festivity of Shivarathri injects.

In the olden days
Shivarathri is supposedly one of the major festivals in Prashanti Nilayam that draw maximum assemblage of devotees and significantly it has valid reason, backing up the claim. Shivarathri of those days used to be completely different in style from the festivity that is celebrated today. Bhagawan would hoist the Prasanthi Flag atop the Prasanthi Mandir which would be followed by short discourses. Invariably, there used to be scholarly speeches by prominent personalities also who would talk on the significance of fasting, the night vigil and the worship that was laid down by the Sastras as obli­gatory on Shivaratri Day.
The Prasanthi Flag is symbolic of a successful sadhaka who achieves realisation through the conquest of evil qualities namely, attachment, anger and jealousy etc... and through the expansion of Love and the practice of Yoga they ascend through various stages of Sadhana, resulting in the blossoming of the Lotus in his heart, and thereby attaining Pra-kanthi, Higher Illumination, Prasanthi, Highest Tranquility and Param-Jyothi, the Higher Splendour of Realisation, merging his ‘imagined self’ into the Universal Self; conquering sleep, sloth, thamas and clamorous demands of the senses—Rajas and winning the unshakable equipoises of the wise—Satwa. During one of the Shivarathri Divine Discourse, after hoisting the Prasanthi Flag, while speaking on the symbolic significance of hoisting the flag, Bhagawan exhorted that the flag should be hoisted over every heart, simultaneously with the hoisting on the Prasanthi Nilayam Mandir. Those days there used to be a sea of expectant faith in the vast open space in front of the Shanti Vedika (a newly construc­ted hexagonal Mantapam, with friezes of Gitopadesam and of Sita-Rama with Lakshmana and Hanuman, and with the Sivalinga represented on every pillar) waiting to witness the grand hoisting ceremony.

About the mysterious Lingodbhavam…

“It is the Form emanating from the Formless. The Linga creates itself in Him; He creates Himself in the Linga.”

- Prof. N. Kasturi

Browsing through the past editions of Sanathana Sarathi one would get a glimpse of the unique Divine Phenomenon, Lingodhbavam of yester years. The then Editor-in-Chief and the chosen biographer of Bhagawan, Prof. N. Kasturi, had written about the Shivarathri of those days: “Shivarathri is the festival which manifests most of the God that Baba is. The miracle of the formation, in His stomach, of stone or metal spheroids during the week previous to the holy date, was enough to electrify the atmosphere of Prasanthi Nilayam. Days ahead, a broad aura of dazzling white with pink border enveloped Him wherever He was. He Himself announced that the Lingam was growing, and if the growing pains were unusually perceptible, the number, He foretold, was more than one.”

Every year, since 1940, when Bhagawan declared that He had come to restore Dharma and foster His Bhaktas, the indisputably Divine Emergence of the Linga, (one or many, emerald or crystal or silver) has happened on Maha Shivarathri night…in the earlier days it would happen at round 9:00 p.m.

Quoting an incident wherein Prof. Kasturi prayed to Bhagawan for directions about a cover design for the 1967 Shivarathri Special, Kasturi wrote referring to the All Religious Symbol that Bhagawan drew on the occasion as a response to his prayer, “Baba says His Grace is so vast and limitless that He claims the whole world to be His mission, every state being but a Hall within it.” He continues, “This is the reason for the emergence of the Linga from Him on Shivarathri, for the Linga is the most universal symbol of God, the simplest, the most easy to comprehend and transcend.”

Reminding one of the crucifixion that Jesus had taken upon Himself as the son of God, for the benefit of humanity, this very form of God also goes through the ‘ordeal’ in its minute detail enabling humanity to partake the highest benefit of this most dignified spiritual drama of the modern age. Notwithstanding the travails that would be expected during the olden days due to lack of proper transportation, lodging and other facilities, there used to be a congregation of anything between twenty to thirty thousand people thronging in to celebrate Shivarathri in His hallowed Divine Presence.

How observant…how conscious…how eager were the devotees ensuring that they would not miss the most coveted Divine Melodrama? Read on the exhilarating, yet most incomprehensible account of the episode in 1969…

The Divine ‘ordeal’ was never a choice for the devotees but a compelling benediction…indeed a blessing in disguise…

Excerpts from Sathyam Shivam Sundaram

Every year, since 1940 when He announced that He was Sai Baba 'come again', the emergence of one Linga (or many) from His Body through His mouth has taken place, during the Lingodbhava muhurtha (the auspicious moment for the exterior manifestation of the symbol of the all-pervasive Divine Principle). This is an inscrutable mystery: how the Lingas of various types of stone or metal are formed within Him and how they emerge at that particular moment, every year, calculated according to the ancient texts of Jothishasastra! Nine lingas, of 'silver' have come out one year; in other years, there have emerged five or seven or three or two, all in a lump or in succession. Until that illustrious moment, no one can pronounce on the number, size, or composition of the lingas that are undergoing concretization in Him. It is all so normal, until the Lingodbhava muhurtha arrives.

"Until 1956, the Shivaratri all-night vigil and Bhajan could be held in the Prayer Hall itself. Baba sat on the silver chair placed on over a tiger skin on a low platform. When the slower hand of the clock hovered near eight, the Linga or Lingas indicated the desire to emerge and Baba showed signs of physical struggle to smoothen their way out. Year after year, 1 have stood on His left, holding silver jug of water. Seshagiri Rao stood on the right with a silver plate to receive the Linga as it fell out. At predetermined moments, proceeding through the gullet, the Linga presented itself for public view and personal use. One year eleven Lingas emerged in a row, one behind the other. Another year, there were nine. He has given Me one of the nine. It is worshipped with Mantras prescribed in the scriptures. The Linga miracle does happen annually on every Shivaratri day wherever Baba happens to be.

On one Shivarathri Baba spoke for about forty minutes on the mind and its manifold tactics to confuse and confound, and how man has to discover the strategy by which it can be controlled and made subservient to the intellect, thereby leading to the realization of the Atmic reality. Suddenly the gushing stream of superb eloquence and supreme guidance was interrupted by gasps and gutterings - premonitions of the emergence of the Lingam - which Baba endeavored to put down, a little while; then, He signaled for Bhajan to start and Himself sat on the chair, behind the table. No one heard the Bhajan, though they were mechanically uttering the words in the tune allotted to them. For, the crucial moment was fast approaching and no one in the gathering wanted to miss it. All senses were now concentrating their efficiency on the eye, so as not to miss the Divine Event!

Baba was under the flood lights, squirming, turning, twisting, sitting forward and leaning backward, sipping water and showing signs of exhaustion, all parts of the amazing Drama that He was now allowing these thousands to witness, so that they may stand witness in their own lives to the glory of being contemporaneous with the Avatar! Fifty thousand eyes were focused on that serene Mouth - for over fifteen long laborious minutes! "Ah! It has emerged, in one leap; a blue shaft of light, was it? No it was the blue Lingam oval shaped, oval sized gem, celebrated in the Sastras as specially sacred, on account of the color and the size." It has fallen from His mouth into the cupped palm of Baba. He held the Wonder in his Hand, high in the light, to be seen better by the vast gathering, now in the height of Bliss.

Baba continued sitting in the chair. He would, usually, descend from the Dais on the Santhi Vedika and move into the Nilayam; but, He sat in the chair and remained motionless. We thought that another Lingam may emerge after a little while. But, no! He was getting stiffer, and motionless. The right hand was lying flat on the table. The left was erect, the elbow fixed on the table, fingers near the eye, the head was slightly inclined to the left, the thumb held apart, the ring finger and the little finger folded, and the other two straight up - the breathing was slow; it became slower.

Who dare touch Him? Who had the courage to draw His attention away from the place or mission on which He had gone? I was sitting on the left of the chair and Dr. Bhagavantham and Dr. Bhaskaran Nair on the right. Five minutes sped by - I expected Him to return from wherever He had gone. For, this is special occasion, where anxious souls were getting alarmed. At no time previous had He left His Body on a transcorporeal journey when so many were looking on!

But, His Compassion knows no limitations of festival or gatherings. When the devotee calls out in agony He rushes to his side, whoever may be with Him or whatever the work he is engaged in, at that time. On other occasions, He has fallen on to the floor, but this unusual posture amazed everyone; anxiety was imprinted upon each face.

After twenty minutes, I could restrain myself no more. I leaned towards Him on my knees and, in a subdued voice called 'Swami! Swami!', as if He would come back when we call, from where He had gone in response to the sincere yearning of some one in pain. His mission of Bhaktharakshana knows no bounds of class, creed or nationality. He blesses, whatever be the name by which He is called.

Thirty minutes ... all eyes were now watching the face for the slightest sign of any movement; they prayed as never before ... The fortitude of the devotees was being transformed into nervousness ... the hand was stiff, upright, the finger did not jerk or come together... the angle of the head was the same since the past fifty minutes.
One or two from the Bhajan party came on to the dais ... a few began to weep, here and there ... courage faltered before the onslaught of concern!

Fifty five ... Ah ... a slight movement of the fingers ... of the left hand! The hand came down ... I broke into tears ... His eyes opened ... He saw! He smiled!

Fear and doubt vanished shamefacedly from the gathering. Baba rose ... the fateful minutes were over!

Baba went into the Nilayam, and when some of us, including Dr. Bhagavantham followed Him, He said that He had gone on a Manasa-sanchara, round the World!

He went in order to give signs in every home or hall where Sivarathri was celebrated that hour, that the Lord is here, that His Grace is available in plenty for all who need it, and pray for it, with pure and sincere faith. He showers mercy; and they become humble, wise, victorious.

What we were privileged to see that night was the sight of Baba journeying far and wide to confer peace, to foster the erring brood of willful, peevish, half-blind children, into ways of justice, peace, love and righteousness. He was converting the Rathri of Rajas and Thamas that was darkening the horizon of man into the Sivam, the splendor of love and joy. We saw two Udbhavas (oncomings) that day - the Lingodbhava and the Premodbhava.

In an apparent reference to the skeptic minds, unable to assimilate the phenomenon called Lingodhbavam, Bhagawan aired a word of caution. He said: "Why do you discuss and debate among yourselves about My nature, My Mystery, My miracle, My reality? Fish cannot gauge the sky; the gross can grasp only the gross. The eye cannot see the ear, though it is so near. When you cannot reach down to your own reality, why waste time trying to explore the essence of God? You are like a Telugu audience sitting through a Tamil picture or a Malayali sitting through a Japanese picture. The nuances, the subtler significances, the deeper meanings and inter-relationships, the inner patterns of the fabric, are beyond his understanding. Sit through the entire film; master the language and the technique; watch earnestly and vigilantly and try to imbibe the meaning of every gesture and act and word; then, you may know Me, a little."

The gathering of 20 or 25 thousand sit expectant and worshipful, listening to the discourses by Pundits on some scriptural text or spiritual discipline. The talks are mostly on Siva, the Aspect of the Godhead that destroys the basic ignorance, that awards enlightenment, overwhelms the accumulated consequences of the past, and wipes off all traces of one's ancestry, in order to cleanse the mighty stream, called the mind. When the Pundits have finished, Baba takes up the trend and sweetens the programme with one of His inimitable discourses. At some point during that discourse or at the end of it, during the Bhajan sessions which Baba leads with a few songs, people become aware of His slight cough which, as many of them know, is the harbinger of the precious Linga. The empyrean eloquence is interrupted off and on, by gasps until the internal thrust can no longer be checked. Then, amidst the paean of Praise, Om Namah Sivaya, [Om, I bow with devotion for Siva] rising from many thousands of hearts, the Lingas travel to the mouth and fall on to a silver plate. Baba invariably holds them aloft for all to see and revere; they are kept for public view the whole night and in the morning, Baba takes them in His Palm and passes along the serried ranks of bhakthas, who are stunned by the size which could not, without a miracle, pass through the tiny passage of His throat.

In 1966, after about 20 minutes of swaying and heaving, gasping and coughing, in order to ease the passage, an emerald Linga, three inches high, fixed on a pedestal five inches broad, that had formed itself in Him emerged from His mouth, to the unspeakable joy and relief of the huge gathering, which was watching His face with single pointed attention.

In 1965, fifteen to eighteen thousand people watched this unique and solemn process in deep silence and tension; their eyes as riveted on the spare resplendent figure on the dais. The tension mounted to a climax, as a shining smooth, transparent Linga, emerged from His Mouth, its green sheen almost dazzling the eyes - a symbol of Brahmanda, the Universe over which Siva keeps eternal vigil; it was a symbol of something too infinite, too stupendous, for our little minds to grasp. Its green glory moved us into tears of joy and gratitude, it spoke to us of the beauty and light that resides in every thing and being, in the star-studded sky and the human heart.

Mahashivarathri, 1970! A flood of devotees flowed into Prasanthi Nilayam. There was tremendous rush, but, absolute silence. Baba told the young men and women of the Seva Dals, selected by the Sathya Sai Seva Samithis from the different States of India, "You yearn to do some Seva in My Name, don't you? Well I have a thousand heads, eyes and feet! The Vedas proclaim that God is 'Sahasra Seershaa Purushah,' 'He has a thousand heads!' The thousands who have come here, the aged, the children, the diseased, the afflicted - they are all Me. Serve them, you serve Me!"

Baba hoisted the flag on the Nilayam, and said that loyalty to higher truths has to be built up from childhood, even through the lessons learnt while in the mother's lap. At noon the creation of the huge stream of Vibhuti caused wonder and amazement, even to those who know that it was part of the Sivarathri Festival.

Baba's compassion led Him to begin His discourse with a Sanskrit verse, meaning, "I am not a human being nor a god or a superman. I am neither a Brahmin, nor a Ksatriya, nor a Vaisya nor a Sudra! Then you may ask Me who I am. Well, I am the Teacher of Truth; I am Truth, Goodness, and Beauty!"

During the discourse the Linga that was growing in the stomach of Baba since about a week announced itself as ready to emerge, and so Baba sat on the chair. The huge gathering sensed the cosmic undertones of the movement and sang with eager excitement a song in praise of Shiva, the God represented by the Linga, for whom Sivarathri was dedicated.

Fifteen minutes later, a heavy oval Linga of a substance akin to an opal came up and out; the enormous gathering shouted Jai in adoration and uncontrollable bliss, when Baba held it in His hand for all to see. Throughout the night, the Bhajan continued, the divine offspring was placed in full view of all, so that it may inspire them in their vigil and fast.

Prof. Kasturi writes in Bhagawan’s biograpahy, a beautiful incident that had happened during the epoch making Divine Visit to the North Indian Pilgrim spots Varanasi and Badrinath. Baba visited the foremost Saivite shrine of India, Varanasi and the foremost Vaishnava shrine, Badrinath in 1961 in order to infuse spiritual power in those dynamos of Grace. At Varanasi, He created a unique jewel to be placed on the idol of Visweswara declaring that it has the mystic might to charge that symbol of the Lord with Divine potency. At Badrinath, He drew from under the present Narayana image, a Nethra-linga which according to Him was brought from Mount Kailasa (!) and ceremonially installed there, by no less a person than Sankaracharya about twelve hundred years ago! This Nethralinga when it emerged at the call of Baba, created a chapter in history; a Linga as the basis of the celebrated Vaishnava shrine was a welcome reminder of the basic harmony of Saivites and Vaishnavites. .. and more to come…Bhagawan revealed that the particular linga was one of the five lingas Shankaracharya had brought from Kailasa and installed in India…

As is the biblical saying, a simple man believes anything, but a prudent man gives thought to his step, there was one scholarly person whose intellectual brain wanted an authentic proof from the scriptures to vouchsafe what was revealed by Bhagawan…Kasturi ji goes on record saying that the person who wanted to testify the revelation of Bhagawan got a reply from the Sringeri Math, the monastery established by Shankaracharya, that mention was made about the lingams in the Sivarahasya Mathethihas. In the XVI chapter of the IX Section of this book, it is said that Lord Siva welcomed Sankara at Kailas and blessed him with the words, "You are marked out for the establishment in the world of the true teaching of the Vedas, viz., Adwaitha. Spend 32 years of your earthly existence spreading this faith and overwhelming those who decry or deny it. Accept these five Lingas that I am giving you now. Worship them with the Panchakshari and with Satharudrabhisheka. Offer the sacred Bilva leaf and Ash and recite the holy Pranava. Complete your three Tours of Victory dispelling the darkness of Dwaitha and then, install these Lingas from this thrice-holy Kailasa, marked by the effulgence of the Crescent, named Yoga Bhoga Vara Mukthi and Moksha, in sacred sites chosen by you, before you shed this mortal frame at Kanchipuram." So, the story of the Linga at Badrinath was authentic!

This Shiva of the present age has a special mission and He has revealed the same while materialising the Nethralinga. Baba announced that the Nethralinga was the original nucleus which had to be "energized" by Him (with suitable rites and ceremonial ablutions with the sacred waters of the Gangothri, the golden Bilva leaves and the actual Thumme flowers which He miraculously procured on the spot) even the Trustees of the Badrinath temple were pleasantly surprised!

A similar feat was performed in the ancient Mallikarjuna Temple at Srisailam. While inside the innermost shrine, Baba showered on the Mallikarjuna, golden thumme (Leucas Linifolia) flowers which He created on the spot by a wave of His Hand. That was the ceremonial rite of multiplying the potency and improving the sanctity of the focus of worship.

Who else could one expect to perform such a feat, pulling out the Lingam that originated at Kailasha which was sent with a mission by the Lord of all Lords, and ceremonially installed over a millennium ago, by the Great Shankaracharya himself? Who else would you expect could see through the base of the holy idol at the most revered temple at Badrinath? Whom else would you qualify to empower, to multiply the potency of an idol that had a legend which dates back to ancient times…and has millions of worshippers? Even a mystic yogi would not be qualified to show up with such a rare feat…and it could be expected only from the One who presides over the very holy shrine…at Badrinath…or Srisailam…

In 1963, Sai declared: "I have been keeping back from you all these years one secret about Me; the time has come when I can reveal it to you. This is a sacred day. I am Siva-Sakthi," He declared, "born in the gothra of Bharadwaja, according to a boon won by that sage from Siva and Sakthi. Sakthi Herself was born in the gothra of that sage as Sai Baba of Shirdi; Siva and Sakthi have incarnated as Myself in his gothra now; Siva alone will incarnate as the third Sai (Prema Sai Baba) in the same gothra in Mysore State." …of course the Divine Gestures were much more in the years followed by…and the word of caution was indeed an advice to be ever focussed…alert…to catch the glimpses of Divinity uncovered over the years…in greater proportions…in varied fashion…

The festival of Mahasivarathri in 1971 was celebrated on 23rd February. Though Prasanthi Nilayam gets overcrowded during that time, the peace of that Abode is maintained, due to the holy rays emanating from that holiest of places. Speaking from Santhivedika, Baba raised a very interesting question and answered it Himself. "Why does Swami produce the Linga from Himself this day? Let me tell you that it is impossible to understand the attributes of the Divine. You cannot measure Its potentialities, nor gauge the significance of Its Mahima; it is Agamya: unreachable, Agochara: un-understandable. Because of these, you get an example of Divine attributes. In order to bear witness to this Divinity that is amidst you, for your benefit and benediction, the Linga emerges. If even these glimpses are denied, faith in the Supreme will vanish and an atmosphere of greed, hatred, cruelty, violence and irreverence will overwhelm the good, the humble and the pious."

In a discourse on Shivarathri a few years ago, Baba recited a verse, such as He is used to composing and reciting at the commencement of a discourse, in which He recounted the aims and purposes of His own Avatâr at Puttaparthi. "Vâsudeva, who lives in all has come in this body at Puttaparthi to show to the Kali age the path of truth; to eliminate hate and greed; to save the good and humble from pain and shame; to reveal the significance that lies obscured in ancient texts; to destroy the pomp and pride of little men; and to redeem the pledge of Grace given to mankind." He has declared that He is the Divine Essence that is known and worshipped in many Names and Forms all over the world.

On various types of Lingas, the Earth Principle Linga, the Water Principle Linga, the Fire Principle Linga, the Wind Principle Linga and the Sky Principle Linga:

He spoke of the places sanctified by the installation of these Lingas and referring to the Akasa Linga in a temple, He explained that the Linga there hangs in mid-air with no support! Devotees stared in awe for they could not understand how this could happen, and continue to happen. Baba explained that the Linga is of some ferrous material and that two magnets, one on top, on the underside of the roof and another fixed on the floor, exercise equal and opposite pulls on the Linga, so that it remains in the center, in mid-air, without support. Then, He asked, "O! Do you desire to see it? I can dislodge it from the pulls and bring it here!" Saying so, He waved His Hand and Lo! The egg-shaped ferrous ball was in the Hand. It was passed from one person to another until all had the feel of it and the thrill. Then Baba wrapped it in a kerchief and gave it to a young man to be kept with him. The entire group of three hundred sat for dinner on the sands, with Baba in their midst, joking and keeping every one in the best of spirits. It was about eleven at night when the launches returned to Rajahmundry. The young man was shocked to find the ferrous Lingam gone!

Some of us prefer as the symbol of God, neither Fire, nor Sun, nor the Living Laborious Brother called Banyan Tree, but the Linga. During Dasara, a pundit can be seen on the altar at the Auditorium shaping 1000 Lingas every day, and after worshiping them with utmost devotion rolling the black clay back into a ball, for use the next day! The permanent static base, pure existence, is Shiva. Its projection as dynamic energy is Sakthi. Bhagavan Ramana Maharshi used to write an 'O' at the beginning of the letter he sent to people, says Yogi Shuddhananda Bharathi. Maharshi explained it as the Lingam, the symbol of the ultimate principle which is beyond the triple entities of life, world and God!

The 17th of 1970 was an epoch-making day. Baba 'charged the Somanath Shrine' that day with Divine potency. He also fulfilled the prayers of the late Jamsahed of Nawanagar, the person primarily responsible for the renovation of that historic temple, by visiting the place and allowing His Name to be associated with a structure that is a limb of that complex. The Rajamata succeeded in persuading Baba to inaugurate the imposing architectural gem called Dig Vijaya Dwar (after Sri Digvijaya Singh, the late Jamsaheb), the Gateway of Victory.

This temple is situated on a spot celebrated in the Vedas and Epics. The shrine is of Shiva, as Sauma, with Uma, as Shiva-Sakthi. Baba has come as Shiva-Sakthi in human form to charge the ancient shrine with Divine potency. The Shivayogis who specialized in Soma Vidya and the followers of the Pasupatha cult founded by sage Lakulisa about 200 AD, spread the fame of this temple from sea to sea. They established Somanaths with Somesvara Shrines all over the land, in Ratnagiri, East Godavari, Purnea, Jodhpur, Mysore, and South Kanara Districts.

Somanath was one of the richest temples of India. When the Muslims conquered and ruled over the Punjab and Sindh, it attracted the plunderers. Depredation, desecration, destruction, reconstruction and rededication became recurring chapters of its long history. The infamous raid by Mahmud of Ghazni in 1026 AD was the third in the long list of catastrophes. The fifth temple too met with a similar fate, at the hands of the rulers of Delhi.

On Diwali Day, 1947, when the Indian Army entered Nawabdom of Junagadh and liberated the pathetically dilapidated pile of stone recognized by many as Somanath, it was rescued from those who could not appreciate the value and validity of idols, images and symbols of the Unknown and the Unknowable. Sardar Vallabhbhai Patel announced that day, amidst the joyous roar of the waves of human and saline seas, "We have decided that Somanath should be reconstructed. This is a holy task in which all should participate."

The new temple (named Mahameru Prasad, like the previous ones) was planned closely on the basis of the earlier temples and now, the Gopuram, the main gateway through which seekers would enter into the portals of Jyothirlinga, was to be inaugurated by Someswara, come in human form: Shiva-Sakthi, come as Sathya Sai!

Baba declared that He would reveal, that day the genuine Somanath! This declaration filled us with wonder and enthusiastic exuberance. So all roads converging from Jamnagar to Somanath were shouting Jais in exhilaration. Baba was received at the decorated Shamiana in front of the Digvijayadwar by the trustees of the Somanath temple, as well as by the high officers of the District and States. Amidst strains of temple music, He walked on the red carpet laid on the steps, and opened the lock on the artistically carved and silver-embossed door with a silver key. Then, He proceeded along the festooned pathway, between rows of fresh banana trees, to the main shrine of Someshwar, the focal point of the faith of millions for millennia!

He entered the holy of holies; Brahmin Pandits were reciting Vedic Hymns which reverberated from the arched and conical roof, from the finial 150 feet above the ground! He directed that a plate be brought. He spread the fingers of His right hand and shook it over the plate, 108 silver Bilva leaves and 108 golden flowers fell from His hand in a clinking shower. They were reverentially touched by devotees 'for it is on their behalf and for their sake that the process of 'charging the 3 feet high Lingam' was being undertaken by Him. This Lingam had been recently installed, when Babu Rajendra Prasad, President of India, inaugurated the Temple. He poured the leaves of silver and flowers of gold on the Linga, as He had done at Srisailam when He was set on revitalizing the Linga there. It was like Ganga water poured into the stream of the Ganga.

Within seconds, He waved that Divine hand! Lo and behold, a ball of brilliant light manifested in His palm. I was at that time reciting within myself the Dwadasa-Jyothirlinga-Stotram, the verses in praise of the twelve "Lingas of Light" which every Hindu is exhorted to remember reverentially. The twelve include Viswesa or Varanasi, Kedarnath in the Himalayas, Rameswaram in the extreme south, Srisailam in Andhra Pradesh, Mahakala at Ujjaini and Tryambaka in Nasik. But the very first in the list is "Sowrashtra Somanatha," Somanath of Sowrashtra. The Somanatha Linga is the only one of the twelve which is adored as Jyothirmayam, "Imbued with the splendor of light." And, Baba had the "Linga of Light" right now in His grasp! What a great moment was this, I wondered.

Then I remembered Baba's announcement: "I shall show you the genuine Somesvara Linga today!" so, this was It, the Genuine One, installed, as legend says, by Brahma Himself, and worshiped by the Moon-God, the God who presides over the mind of man.

In a pamphlet issued by the tourist department, it is said that Skanda Purana mentioned thousands of years ago that "the Sparsa Linga of Somanath is a 'Swayam-Bhu' (self-originated) Linga, of great prowess, as bright as the sun, of the size of an egg of a hen, which is situated underground." It is a characteristic of Vayu, air. These are the other Lingas representing the other four elements: Akash, Tejas, water and earth.

So the oval ball of light in His hand was the authentic Somesvara He had resolved to bring up from its underground niche, kept away since many centuries from depredation and desecration. The Sparsa (touch) Lingam was nestling for centuries under the Linga in the Shrine. This information was given to us by Baba, as well as by the priests and trustees. Baba waved His hand again and created a silver stand on which it could be placed. He gave it to the chief priest, "Let it be in the full light of day hereafter! Let pious eyes admire its brilliance and imprint its glory on their hearts. There is no need any more to keep it away. The avatar has come to remove all fear," Baba declared.

To make the triumphant emergence of Somesvara, Baba unfurled the flag on the towering finial over the central shrine. Thousands acclaimed 'Jai Bhagwan' as He gave Darsan on the temple steps. Baba left for Rajendra Bhavan at Veeraval and at 2 p.m. He motored to Keshod aerodrome from where He enplaned for Bombay. Over 30,000 devotees were awaiting the arrival of Baba at Dharmakshetra, Bombay.

A poem:

To Kailash

Here was a mountain—a huge, white, snowy expanse. I stood at its foot. What vastness! Miles and miles of engulfing white, disappearing beyond my sight. In that cloud of pure stillness, I stood at its foot. But, somehow, I was not lonely. There was life: breath and life. Life in every granular snow I saw. How? I do not know. I looked up and, up in those heights was that ultimate truth. “Up above the world so high”, for ages it had been sung—the glory and the beauty of that which is high and beyond. And from it I picked the essence, the truth we cherish ‘It’ to be. And so, up and beyond my imagination, I walked. Walked through those mental lanes, to see the glory I had wanted to see.

I climbed the mountain and stepping into that snow, I sank, I eased. Hey, I expected solid below! But… What shall I say? It was soft… liquid, no, wait—it was milk. Snow as light as milk! I put my next foot forward. Milk again. I sank peacefully up to my knee. And thus I stepped, the next foot and the next, and up that milky path I climbed to the truth. With every step I took I breathed-in the silence and gasped in anticipation to see that long-sung-glory.

As I climbed, there was a light—a crescent. Its rays, they were bright yet calm in the distance. A glow rather than a ray. And the higher up I climbed, on a mound it perched. A mound or rather a mound on a mound. And then, there was water fall beside, a gigantic fall!

Hey wait! It’s it! I accelerated up exclaiming… And behold!

Immense in stature, tranquil, silent,
Look! He rested cross-legged on a height.
The atmospheric grandeur, the energy, the love,
No word can capture, no film shall display.
The sight, the thought, the breath, the power,
The only sound, the fall of Ganges.
The only sound, listen: frothing and bubbling,
It’s mother, peace and nothing else.
And that light, Oh! The moon I had known,
So near are you to this blissful bliss!
Illuminating this aura within your shine,
Oh God, what grandeur, what love, what beauty!

The very posture, serene to the eye,
There was coolness around, a breeze.
A breeze around, a breeze within,
Every joint exuded love.
The hair, the curls, how perfect, how calm.
Untroubled to the minutest.
A meditation through years, through yugas in time,
The peace, can you measure, the immensity of it?
I saw, I felt, but there was much, much more,
The completeness—definitely I failed to realize.

Calm and soothing, his eyes were in prayer,
The lids, there was light from within those lashes,
Light around, light within, I bowed in obeisance,
Bowed up to my foot.
Was there a stillness as lovely as this,
The air I breathed, it had love in it!
Thus lighted in love, I devoured the sight,
My mind kept wavering, I wanted to hold,
The scene, was it blurring, shivering, oh, its gone,
Left to myself—“Om Namah Shivayah!”
What aura, power, there is so much unknown!
But sure, dear Shambo, I know it from heart,
There is love up there, love, peace, love!

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Shiva Prayer

Shiva PrayerFor the devotees of Lord Shiva here is a collection of Lord Shiva Prayers with meaning! Devotees seeking blessings of Lord Shiva must recite Shiv Prarthana with sincerity and faith.

Lord Shiva Prayer - I
Om Sarva Mangal Manglaye Shivay Sarvaarth Sadhike
Sharanye Trayambake Gauri Narayaani Namostu Te
Oh the divine couple Shiva Parvati !
O ! Thee, the protectors of this universe,
Along with Lords Brahma and Vishnu
We pray to You for our well-being, prosperity and the enlightenment of our souls.

Lord Shiva Prayer - II
This mantra is a prayer to Lord Shiva who is addressed as Sankara and Trayambaka. Sankara means giver of blessings: (sana = blessings, Kara = the Giver). Trayambaka is the three eyed one, where the third eye signifies the giver of knowledge, which destroys ignorance and releases us from the cycle of death and rebirth.

Om Namastestu Bhagavan
Visvesaraya Mahadevaya
Trayambakaya Tripurantakaya
Trikagni - Kalaya
Kalagni - Rudraya Nil - Kanthaya Mrityunjaya
Sarvesvaraya Sadadhivaya
Sriman Mahadevaya Namah.
Om. I bow down to Lord Shiva, who is the creator and protector of the universe, who is the greatest among Gods, who has three eyes, who is the annihilator of all the three worlds, one whose throat is blue, who is the conqueror of death, who is the Lord of all, who is propitious who is possessed of all marks of greatness and who is the greatest among Gods. To him my prostration.

Lord Shiva Prayer - III
Naagendra haaraaya thriloochanaaya bhasmaangadhaaraaya maheshwaraaya
Nityaaya shudhdhaaya digambaraaya tasmai nakaaraaya namahshivaaya

Salutations to Shiva who wears a serpent as garland, who is three-eyed, whose bare body is covered with ashes, who is forever pure and the very embodiment of sacrifice.

Shiva Dhun
Shivo Bhokta, Shiva Bhojya
Shivo Karta, Shivah Karma
Shivah Karanatmakah
Shiva is the experiencer and the highest object of experience. Shiva is the goal of Sadhana. There is nothing apart from Shiva. There is nothing other than Shiva. Whatever there is, is Shiva. There is nothing, which is not Shiva. There is no place, which is not Shiva. There is no time, which is not Shiva. To be aware of this is to be aware of Shiva.



Shiva Tandava

Shiva TandavaLord Shiva is also known as Nataraj, the Dancing God. This divine art form is performed by Lord Shiva and his divine consort Goddess Parvati. The dance performed by Lord Shiva is known as Tandava. Shiva’s Tandava is a vigorous dance that is the source of the cycle of creation, preservation and dissolution. Tandava depicts his violent nature as the destroyer of the universe.

Characteristics of Tandava Dance
According to scholars, ‘Characteristics of the Tandava Dance’ have been described in the fourth chapter of Bharat Muni’s Nata Shastra, which is referred to as fifth Veda and an expression of Lord Shiva’s eternal dance - Tandava. It says that Shiva’s Tandava is embellished with 108 karanas and the 32 anghaharas - the composite parts of the dance. Bharat Muni further says that Lord Shiva conceived the dance, as he was very much fond of dancing every evening. Shiva further mentioned that 108 karnas included in tandava could be employed in the course of dance, fight, and personal combats and in other special movements like strolling.

Types of Tandava
Some scholars believe that there are seven different types of Tandava. The tandava performed with joy is called Ananda Tandava and that which is performed in violent mood is called Rudra Tandava. The other types of tandava identified are Tripura Tandava, Sandhya Tandava, Samara Tandava, Kaali Tandava, Uma Tandava and Gauri Tandava. However, there are few people who believe that there are 16 types of Tandava.

Significance of Shiva's Tandava Nritya
According to religious scholars, the cosmic dance of Shiva, called 'Anandatandava,' meaning, ‘the Dance of Bliss’ symbolizes the cosmic cycles of creation and destruction, as well as the daily rhythm of birth and death. The dance is a pictorial allegory of the five principle manifestations of eternal energy - creation, destruction, preservation, salvation, and illusion.

According to learned scholar, Coomerswamy, the dance of Shiva also represents his five activities namely,
  • 'Shrishti' - creation, evolution
  • 'Sthiti' - preservation, support
  • 'Samhara' - destruction, evolution
  • 'Tirobhava' - illusion
  • 'Anugraha' - release, emancipation, grace
The overall temper of the image is paradoxical, uniting the inner tranquillity, and outside activity of Shiva.

The dance performed by Goddess Parvati is known as Lasya. In Lasya, the movements are gentle, graceful and sometimes erotic. Some scholars call Lasya, the feminine version of Tandava. Lasya is of two kinds - Jarita Lasya and Yauvaka Lasya. According to the Puranas, Shiva dances a wild and vigorous (tandava) dance in the cremation grounds at night but dances a soft and graceful (lasya) dance in the tranquillity of the twilight.



Shiva Chalisa

Shiva Chalisa is a prayer for Lord Shiva - one of the Gods of Hindu trinity, the other two being Brahma and Vishnu. Shiva Chalisa praises the Lord and asks for his help in removing hardships and obstacles in devotee's life. It is said that devotees seeking blessings of Lord Shiva must recite Shiva Chalisa with devotion and sincerity. It is suggested that devotees should focus their mind on Lord Shiv or his image and then recite Shiv Chalisa.

Here, Lord Shiv Chalisa is presented along with English Translation for better understanding.

Lord Shiv Chalisa English Translation
Jai Ganesh Girija Suvan
Mangal Mul Sujan
Kahat Ayodhya Das Tum Dev Abhaya
Glory to Lord Ganesh, the Divine Son of Goddess Girija, the cause of all auspiciousness and intelligence. Ayodha Dass (the composer of these verses) humbly requests that every one be blessed with the boon of being fearless.
Jai Girija Pati Dinadayala
Sada Karat Santan Pratipala
Bhala Chandrama Sohat Nike Kanan
Kundal Nagaphani Ke
O Glorious Lord, consort of Parvati You are most merciful. You always bless the poor and pious devotees. Your beautiful form is adorned with the moon on Your forehead and on your ears are earrings of snakes' hood.
Anga Gaur Shira Ganga Bahaye
Mundamala Tan Chhara Lagaye
Vastra Khala Baghambar Sohain Chhavi
Ko Dekha Naga Muni Mohain
The holy Ganges flows from your matted hair. The saints and sages are attracted by Your splendid appearance. Around Your neck is a garland of skulls. White ash beautifies Your Divine form and clothing of lion's skin adorns Your body.
Maina Matu Ki Havai Dulari
Vama Anga Sohat Chhavi Nyari
Kara Trishul Sohat Chhavi Bhari Karat
Sada Shatrun Chhayakari
O Lord, the beloved daughter of Maina on Your left adds to Your splendid appearance. O Wearer of the lion's skin, the trishul in Your hand destroys all enemies.
Nandi Ganesh Sohain Tahan Kaise
Sagar Madhya Kamal Hain Jaise
Kartik Shyam Aur Ganara-U Ya Chhavi
Ko Kahi Jata Na Kauo
Nandi and Shri Ganesh along with Lord Shiva appear as beautiful as two lotuses in the middle of an ocean. Poets and philosophers cannot describe the wonderful appearance of Lord Kartikeya and the dark complexioned Ganas (attendants).
Devan Jabahi Jaya Pukara
Tabahi Dukha Prabhu Apa Nivara
Kiya Upadrav Tarak Bhari Devan Sab Mili
Tumahi Juhari
O Lord, whenever the Deities humbly sought Your assistance, You kindly and graciously uprooted all their problems. You blessed the Deities with Your generous help when the demon Tarak outraged them and You destroyed him.
Turata Shadanana Apa Pathayau
Lava-Ni-Mesh Mahan Mari Girayau
Apa Jalandhara Asura Sanhara Suyash
Tumhara Vidit Sansara
O Lord, You sent Shadanan without delay and thus destroyed the evil ones Lava and Nimesh. You also destroyed the demon Jalandhara. Your renown is known throughout the world.
Tripurasur Sana Yudha Machayi
Sabhi Kripakar Lina Bachayi
Kiya Tapahin Bhagiratha Bhari Purva
Pratigya Tasu Purari
O Lord, Purari, You saved all Deities and mankind by defeating and destroying the demons Tripurasura. You blessed Your devotee Bhagirath and he was able to accomplish his vow after rigorous penance.
Danin Mahan Tum Sama Kou Nahin
Sevak Astuti Karat Sadahin
Veda Nam Mahima Tab Gayaee Akatha
Anandi Bhed Nahin Payee
O Gracious One, devotees always sings Your glory. Even the Vedas are unable to describe Your greatness. No one is as generous as You are.
Pragate Udadhi Mantan Men Jvala
Jarat Sura-Sur Bhaye Vihala
Kinha Daya Tahan Kari Sahayee
Nilakantha Tab Nam Kahayee
Lord, when the ocean was churned and the deadly poison emerged, out of Your deep compassion for all, You drank the poison and saved the world from destruction. Your throat became blue, thus You are known as Nilakantha.
Pujan Ramchandra Jab Kinha
Jiti Ke Lanka Vibhishan Dinhi
Sahas Kamal Men Ho Rahe Dhari Kinha
Pariksha Tabahin Purari
When Lord Rama worshipped You, He became victorious over the king of demons, Ravana. When Lord Rama wished to worship Thee with one thousand lotus flowers, the Divine Mother, to test the devotion of Shri Ram, hid all the flowers at Your request.
Ek Kamal Prabhu Rakheu Joi
Kushal-Nain Pujan Chaha Soi
Kathin Bhakti Dekhi Prabhu Shankar
Bhaye Prasanna Diye-Ichchhit Var
O Lord, You kept on looking at Shri Ram, who wished to offer His lotus-like eyes to worship Thee. When You observed such intense devotion, You were delighted and blessed Him. You granted His heart's desire.
Jai Jai Jai Anant Avinashi
Karat Kripa Sabake Ghat Vasi
Dushta Sakal Nit Mohin Satavai
Bhramat Rahe Mohin Chain Na Avai
Glory be unto You O Gracious, Infinite, Immortal, All-pervading Lord. Evil thought torture me and I keep on travelling aimlessly in this world of mundane existence. No relief seems to be coming my way.
Trahi-Trahi Main Nath Pukaro
Yahi Avasar Mohi Ana Ubaro
Lai Trishul Shatrun Ko Maro
Sankat Se Mohin Ana Ubaro
O Lord! I beseech Your help and seek your divine blessing at this very moment. Save and protect me. Destroy my enemies with Your Trishul. Release me from the torture of evil thoughts.
Mata Pita Bhrata Sab Hoi
Sankat Men Puchhat Nahin Koi
Svami Ek Hai Asha Tumhari
Ava Harahu Aba Sankat Bhari
O Lord, when I am in distress, neither my parents, brothers, sisters nor loved ones can relieve my suffering. I depend only on You. You are my hope. Eliminate the cause of this tremendous torture and bless me with Your compassion.
Dhan Nirdhan Ko Deta Sadahin
Jo Koi Janche So Phal Pahin
Astuti Kehi Vidhi Karai Tumhari
Kshamahu Nath Aba Chuka Hamari
O Lord, You bless the downtrodden with prosperity and grant wisdom to the ignorant. Lord, due to my limited knowledge, I omitted to worship Thee. Please forgive me and shower Your grace upon me.
Shankar Ho Sankat Ke Nishan
Vighna Vinashan Mangal Karan
Yogi Yati Muni Dhyan Lagavan
Sharad Narad Shisha Navavain
O Lord Sankar, You are the destroyer of all miseries. You remove the cause of all obstacles and grant Your devotees eternal bliss. The saints and sages meditate upon Thy most beautiful form. Even celestial beings like Sharad and Narad bow in reverence to You.
Namo Namo Jai Namah Shivaya
Sura Brahmadik Par Na Paya
Jo Yah Patha Karai Man Lai
Tapar Hota Hai Shambhu Sahayee
O Lord, prostration to You. Even Brahma is unable to describe Thy greatness. Whosoever recites these verses with faith and devotion receives Your infinite blessings.
Riniyan Jo Koi Ho Adhikari
Patha Karai So Pavan Hari
Putra-hin Ichchha Kar Koi
Nischaya Shiva Prasad Tehin Hoi
Devotees who chant these verses with intense love become prosperous by the grace of Lord Shiva. Even the childless wishing to have children, have their desires fulfilled after partaking of Shiva-prasad with faith and devotion.
Pandit Trayodashi Ko Lavai
Dhyan-Purvak Homa Karavai
Trayodashi Vrat Kare Hamesha
Tan Nahin Take Rahe Kalesha
On Trayodashi (13th day of the dark and bright fortnights) one should invite a pandit and devotedly make offerings to Lord Shiva. Those who fast and pray to Lord Shiva on Trayodashi are always healthy and prosperous.
Dhupa Dipa Naivedya Charhavai
Anta Vasa Shivapur Men Pavai
Kahai Ayodhya Asha Tumhari
Jani Sakal Dukha Harahu Hamari
Whosoever offers incense, prasad and performs arti to Lord Shiva, with love and devotion, enjoys material happiness and spiritual bliss in this world and hereafter ascends to the abode of Lord Shiva. The poet prays that Lord Shiva removed the suffering of all and grants them eternal bliss.
Nitya Nema kari Pratahi
Patha karau Chalis
Tum Meri Man Kamana
Purna Karahu Jagadish

Om Shivaya Namaa
O Universal Lord, every morning as a rule I recite this Chalisa with devotion. Please bless me so that I may be able to accomplish my material and spiritual desires.

Om Shivaya Namaa



Maha Mrityunjay Mantra

Maha Mrityunjay MantraThe Maha Mrityunjay Mantra or Lord Shiva Mantra is considered extremely powerful and significant by the Hindus. Also known as the Moksha Mantra of Lord Shiva, chanting of Maha Mrityunjaya Mantra is said to create divine vibrations that heals. Devotees of Lord Shiva further believe that Maha Mrityunjay evokes the Shiva within human beings and removes the fear of death, liberating one from the cycle of death and rebirth.

Significance of Maha Mrityunjaya Mantra
Devotees strongly believe that proper recitation of the Maha Mrityunjaya rejuvenates, bestows health, wealth, long life, peace, prosperity and contentment. It is said that chanting of Shiva Mantra generates divine vibrations that ward off all the negative and evil forces and creates a powerful protective shield. Besides, it is said to protect the one who chants against accidents and misfortunes of every kind. Recitation of the mantra creates vibration that pulsates through every cell, every molecule of human body and tears away the veil of ignorance. Hindus believe that recitation of the mantra ignites a fire within that consumes all negativity and purifies entire system. It is also said to have a strong healing power and can cure diseases declared incurable even by the doctors. Many believe Maha Mrityunjay Mantra to be a mantra that can conquer death and connect human beings to their own inner divinity.


Aum Thryambhakam Yajamahe Sugandhim Pushtivardhanam
Urvaarukamiva Bandhanaan Mrithyor Mukshiya Maamrithaath

( Aum. We worship and adore you, O three-eyed one. You are the fragrance of life, who nourishes us, restores our health, and causes us to thrive. As, in due time, the ripe cucumber is freed from the vine, so free us from attachment and death, and grant us liberation and immortality )


The Maha Mrityunjaya Mantra
The following Maha Mrityunjay Mantra has been taken from the Sukla Yajurveda Samhita III. 60. The Mantra is addressed to Lord Shiva and is a centuries old technique of connecting one to pure consciousness and bliss.

Om Tryambhakam Yajamahe
Sugandhim Pushtivardhanam |
Urvarukamiva Bandhanan
Mrityor Mukshiya Maamritat ||

Om. We worship The Three-Eyed Lord Shiva who is fragrant and who increasingly nourishes the devotees. Worshipping him may we be liberated from death for the sake of immortality just as the ripe cucumber easily separates itself from the binding stalk.

The mantra is a prayer to Lord Shiva who is addressed as Sankara and Trayambaka. Sankara is sana (blessings) and Kara (the Giver). Trayambaka is the three eyed one (where the third eye signifies the giver of knowledge, which destroys ignorance and releases us from the cycle of death and rebirth).

Best Time to Chant
Chanting the Maha Mrityunjaya Mantra with sincerity, faith and devotion in Bramha Muhurata is very beneficial. But one can also do Maha Mrityunjaya japa anytime in a pure environment with great benefit and discover the happiness that's already within.


Different Names of Lord Shiva

One of the most important Hindu deities, Lord Shiva is known by several names. The Shiva Purana list 1008 names for Lord Shiva. Each of these names in Sanskrit signifies certain attribute of the Lord. Given here are 108 names of Lord Shiva with their meaning.

108 Names of Lord Shiva
S No Lord Shiva Name Meaning
1 Aashutosh One who fulfills wishes instantly
2 Aja Unborn
3 Akshayaguna God with limitless attributes
4 Anagha Without any fault
5 Anantadrishti Of infinite vision
6 Augadh One who revels all the time
7 Avyayaprabhu Imperishable Lord
8 Bhairav Lord of terror
9 Bhalanetra One who has an eye in the forehead
10 Bholenath Kind hearted Lord
11 Bhooteshwara Lord of ghosts and evil beings
12 Bhudeva Lord of the earth
13 Bhutapala Protector of the ghosts
14 Chandrapal Master of the moon
15 Chandraprakash One who has moon as a crest
16 Dayalu Compassionate
17 Devadeva Lord of the Lords
18 Dhanadeepa Lord of Wealth
19 Dhyanadeep Icon of meditation and concentration
20 Dhyutidhara Lord of Brilliance
21 Digambara One who has the skies as his clothes
22 Durjaneeya Difficult to be known
23 Durjaya Unvanquished
24 Gangadhara Lord of River Ganga
25 Girijapati Consort of Girija
26 Gunagrahin Acceptor of Gunas
27 Gurudeva Master of All
28 Hara Remover of Sins
29 Jagadisha Master of the Universe
30 Jaradhishamana Redeemer from Afflictions
31 Jatin One who has matted hair
32 Kailas One Who Bestows Peace
33 Kailashadhipati Lord of Mount Kailash
34 Kailashnath Master of Mount Kailash
35 Kamalakshana Lotus-eyed Lord
36 Kantha Ever-Radiant
37 Kapalin One who wears a necklace of skulls
38 Khatvangin One who has the missile khatvangin in his hand
39 Kundalin One who wears earrings
40 Lalataksha One who has an eye in the forehead
41 Lingadhyaksha Lord of the Lingas
42 Lingaraja Lord of the Lingas
43 Lokankara Creator of the Three Worlds
44 Lokapal One who takes care of the world
45 Mahabuddhi Extremely intelligent
46 Mahadeva Greatest God
47 Mahakala Lord of All Times
48 Mahamaya Of great illusions
49 Mahamrityunjaya Great victor of death
50 Mahanidhi Great storehouse
51 Mahashaktimaya One who has boundless energies
52 Mahayogi Greatest of all Gods
53 Mahesha Supreme Lord
54 Maheshwara Lord of Gods
55 Nagabhushana One who has serpents as ornaments
56 Nataraja King of the art of dancing
57 Nilakantha The one with a blue throat
58 Nityasundara Ever beautiful
59 Nrityapriya Lover of Dance
60 Omkara Creator of OM
61 Palanhaar One who protects everyone
62 Parameshwara First among all gods First among all gods
63 Paramjyoti Greatest splendor
64 Pashupati Lord of all living beings
65 Pinakin One who has a bow in his hand
66 Pranava Originator of the syllable of OM
67 Priyabhakta Favorite of the devotees
68 Priyadarshana Of loving vision
69 Pushkara One who gives nourishment
70 Pushpalochana One who has eyes like flowers
71 Ravilochana Having sun as the eye
72 Rudra The terrible
73 Rudraksha One who has eyes like Rudra
74 Sadashiva Eternal God
75 Sanatana Eternal Lord
76 Sarvacharya Preceptor of All
77 Sarvashiva Always Pure
78 Sarvatapana Scorcher of All
79 Sarvayoni Source of Everything
80 Sarveshwara Lord of All Gods
81 Shambhu Abode of Joy
82 Shankara Giver of Joy
83 Shiva Always Pure
84 Shoolin One who has a trident
85 Shrikantha Of glorious neck
86 Shrutiprakasha Illuminator of the Vedas
87 Shuddhavigraha One who has a pure body
88 Skandaguru Preceptor of Skanda
89 Someshwara Lord of All Gods
90 Sukhada Bestower of happiness
91 Suprita Well pleased
92 Suragana Having Gods as attendants
93 Sureshwara Lord of All Gods
94 Swayambhu Self-Manifested
95 Tejaswani One who spreads illumination
96 Trilochana Three-Eyed Lord
97 Trilokpati Master of all the Three Worlds
98 Tripurari Enemy of Tripura
99 Trishoolin One who has a trident in his hands
100 Umapati Consort of Uma
101 Vachaspati Lord of Speech
102 Vajrahasta One who has a thunderbolt in his hands
103 Varada Granter of Boons
104 Vedakarta Originator of the Vedas
105 Veerabhadra Supreme Lord of the Nether World
106 Vishalaksha Wide-eyed Lord
107 Vishveshwara Lord of the Universe
108 Vrishavahana One who has bull as his vehicle



About Goddess Parvati

Goddess Parvati is regarded as the power and divine consort of Lord Shiva - the Destroyer. Like her consort Shiva, Goddess Parvati is said to have both mild and terrible aspects

Goddess Parvati is known by different names like Lalita, Uma, Gauri, Kali, Durga, Haimavati etc. Two of her fierce but very powerful forms are Durga (Goddess beyond reach) and Kali (Goddess of Destruction). As the mother of the universe, Parvati is known as Amba and Ambika, which means 'mother'. As Lalita, she represents the aspect of beauty.

Appearance of Goddess Parvati
When shown along with Shiva, Goddess Parvati has only two hands, the right one holding a blue lotus and the left hanging loosely by the side. When represented independently, Parvati Ma is shown with four hands, two hands holding red and blue lotuses and the other two exhibiting the varada and Abhaya mudras.

Goddess Parvati has a charming personality. Married women adore Parvati for her happy married life. Picture of Lord Shiva, Parvathi and their sons Ganesha and Kartikeya depicts an ideal example of family unity and love.

Parvati as Sati or Dakshayani
According to Puranas, in her first incarnation, Parvati Devi was Sati or Dakshayani, the daughter of Daksa and was married to Lord Shiva. Once, Daksha performed a great yagna or sacrifice and insulted Lord Shiva by not inviting him or Sati. Even then, Sati went to attend the yagna. To her great disappointment, Daksha did not acknowledge her presence and did not offer prasad for Lord Shiva. Utterly depressed by the treatment meted out to her, Sati ended her life by igniting herself through the fire of yagna.

After the death of Sati, Lord Shiva became very sad and depressed. He renounced the world and went into deep meditation in the snow-covered peaks of the Himalayas. Meanwhile, the demons lead by Taraka, rose from the netherworld and drove devas out of the heavens. The gods sought a warrior who would help them regain the celestial realm. Lord Brahma said, only Shiva can father such a warrior, but he is oblivious of the world.

At the persistence of the Gods, Sati agreed to take a re-birth as Parvati, the daughter of Himavan and Mena. It was only after performing intense austerities that Goddess Parvathi succeeded in pleasing Shiva and making him accept her again as his consort.

The Divine Homemaker
With Parvati by his side, Shiva became a family man. Inspired by her beauty, Shiva became the fountainhead of the arts, dance and drama. But he did not abandon his ways as a hermit and continued to meditate. His carefree attitude and his refusal to shoulder household responsibilities sometimes angered Parvati. But then she would come to terms with his unconventional ways and make peace. The consequent marital bliss between Shakti and Shiva ensured harmony between Matter and Spirit and brought stability and peace to the cosmos. Parvati thus became Ambika, Goddess of the household, marriage, motherhood and family.

Ten Aspects of Parvati
  • Given here are the ten aspects of Parvati, termed as Dasamahavidyas. These are the representations of transcendent knowledge and power.
  • The first is Kali who is the goddess of time that destroys everything.
  • The second one, Tara is the power of golden embryo from which the universe evolves. She also stands for void or the boundless space.
  • The third one Sodasi literally means 'one who is sixteen years old’. She is the personification of fullness and perfection.
  • The fourth, Vidya Bhuvanevari represents the forces of the material world.
  • The fifth one, Bhairavi stands for desires and temptations leading to destruction and death.
  • The sixth Vidya Chinnamasta represents the continued state of self-sustenance of the created world in which is seen continuous self-destruction and self-renewal, in a cyclic order. She is a naked deity holding her own severed head in hand and drinking her own blood.
  • Dhumavati, the seventh one personifies the destruction of the world by fire, when only smoke (dhuma) from its ashes remains.
  • The eighth, Vidya Bagala is a crane - headed goddess. She represents the ugly side of living creatures like jealously, hatred and cruelty.
  • Matangi, the ninth Vidya is the embodiment power of domination.
  • The tenth and the last Vidya Kamala is the pure consciousness of the self, bestowing boons and allaying the fears of the supplicants. She is identified with Lakshmi, the Goddess of Fortune.